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The Arts

IB Film Online Course Overview SL

The only IB-approved online course provider

About the course

Admissions process

Number of units

17

Number of lessons

183

Duration

2 years

Level

Standard


Overview

IB Film SL, part of the IB Diploma Programme’s Group 6: The Arts, develops students’ skills in both interpreting and creating film texts. The course combines practical film-making with the study of film history, theory and criticism, giving students the tools to understand cinema as an art form and a means of cultural expression. 

Students analyse films from a variety of traditions and genres, exploring how cultural and historical contexts shape meaning. Alongside this, they take part in creative exercises that build technical skills in areas such as cinematography, editing and sound. The course fosters critical thinking, creativity and intercultural understanding - qualities central to the IB Learner Profile. 

Studied online with Pamoja, IB Film SL is one of our most popular courses. Students benefit from the expertise of outstanding IB teachers and the opportunity to collaborate with peers worldwide, gaining valuable skills for further study and future careers in film, media and the arts. 


Advice from our teachers

In order to succeed in IB Film SL, we recommend students set aside five to six hours a week. Students will need camera equipment (from a DSLR to a recent model phone with a strong camera) that has manual focus and a way to capture audio/video, a sturdy tripod and non-linear editing software such as iMovie, Final Cut or Premiere, as basic requirements. A lighting kit and recording device (handheld or microphone) would be excellent additions. 

*Please note, that all courses offered are subject to receiving a minimum enrolment number. Your Pamoja point of contact will be in touch as we approach the start date if we are unable to take a course forward.


Course structure

The course covers the following topics: 

Year 1: 

  • IB Film SL Course Overview
  • The Magic Lantern
  • There Was This Guy
  • The Dark Side
  • A Funny Thing Happened
  • Single Vision
  • Lenses of Truth
  • We’ve Got Rhythm
  • Shafts of Light 

Year 2: 

  • Shafts of Light
  • ME Watching You
  • Breaking all the Rules
  • The Human Heart
  • This Town Ain’t Big Enough
  • A New Set of Eyes
  • To the Stars
  • Final Take 

Benefits of the course

Taking IB Film SL online will enable students to:

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Why online?

Students will have the opportunity to:
  • Choose an art class that may not be offered at their school. 
  • Study alongside students from around the world. 
  • Exchange ideas with people from very different backgrounds. 
  • Use technology much more than in a face-to-face environment, especially in their communication tools. 
  • Add flexibility to their timetable.

Some things won’t be different though. Standards and expectations will be just as high as in a face to face classroom.

A friendly female student or tutor is sitting across a table from a male student in an outdoor cafe or campus setting, enthusiastically discussing a topic. She is smiling and gesturing with her hands while looking at him. Papers, notebooks, and a smartphone are on the table between them. Other people are visible in the blurred background.

Activities and assessment

Every activity has its own assessment rubric but the IB Film mark bands will serve as the primary means of scoring. Students may create screenplays to later produce into film productions; create storyboards and other pre-production elements to previsualize their future productions; produce a video montage introducing a selected subject matter; create a one-minute video without dialogue that includes at least two characters and a dinner table; produce a chase sequence where a character transitions between different places and time periods that are unconnected in reality; create a spy film using foley recordings and original sound design; produce an experimental film where students can incorporate animation, visual effects, and sound design; write an essay analyzing how film language creates meaning in a five-minute extract from a film; produce a video essay comparing films or filmmakers from different cultures or periods in cinematic history.